Genius Tempus

Client
An own curated project [Oecumene Spaces For Dignity], supported by the French Institute Alexandria Egypt.

Services

  • Curatorial concept
  • Editorial narrative
  • Exhibition design
  • Public programming
  • Workshops & non-conference facilitation

Year
2017

Genius Tempus Architecture for Change was a multi-layered exhibition, event series, and participatory workshop held in Alexandria, Egypt. Rooted in the notion of place spirit, the project explored how architecture can move beyond form-making to become a social, cultural, and political praxis; one grounded in lived experience, memory, and collective imagination.

Rather than presenting architecture as finished objects, the initiative positioned it as an open conversation. Through exhibitions, talks, workshops, and a non-conference format, participants were invited to reflect, debate and exchange knowledge in an open format. 

 

The program brought together architects, urban practitioners, artists, students, activists, and local residents to collectively question dominant narratives of development and to propose alternative ways of producing space — based on care, inclusion, and spatial justice.

Genius Tempus go beyond space as subject / object of architecture to position time in its core. Architecture For Change initiative function not as temporary events, but as a living platform: a space for encounter, experimentation, and shared authorship, where knowledge was produced horizontally and the city itself became both subject and contributor.

 

Check more

The Architecture of the Logo

‘’Redaction ■■■■■■ is an intervention into the textual surface of the present, ■■■ one which makes the contours and logics of this surface more legible. Its aesthetics of forgery and détournement, of re-appropriation and re-performance, produce a uniquely direct and ■■■■■■ effect ’’   Andy Zuliani

The Publishing Power of Place logo draws on the act of redaction as both a graphic language and a spatial metaphor. The blacked-out letters reference redaction as an intentional intervention on the page—an act that conceals while simultaneously drawing attention, shaping meaning through absence as much as presence. Rendered in a marker-like style, the logo suggests collective authorship and co-redaction, evoking community input, informality, and an ongoing process rather than a fixed, finished identity. This approach parallels the co-design of space and place, where existing conditions are intervened upon, rearranged, and reinterpreted rather than erased, allowing new possibilities to emerge over time. Like spatial practice, the logo embraces incompleteness and adaptability, positioning publishing as a living process, something continually revised, built upon, and shaped by those who engage with it. Omar Wanas