Woujoud – Tyre

Client
Own Initiated project in partnership with French Institute of Lebanon – Art et Territoire Programme
In partnership with Tyre Municipality, Directorate of Antiquities, and local organizations

Services

  • Participatory placemaking
  • Curatorial concept & narrative design
  • Community co-design & co-build workshops
  • Heritage interpretation
  • Public art installations
  • Cultural programming

Year
2022

Woujoud — meaning “presence” is a community-based heritage placemaking project developed in the city of Tyre, Lebanon. The initiative sought to reconnect the archaeological site of Al Mina (El Madina) with its surrounding neighbourhoods, weaving together past and present through art, storytelling, and collective action.

Rather than treating heritage as a frozen monument, Woujoud approached it as a living landscape, shaped by memories, everyday practices, and the voices of local residents. Through a participatory process, the project transformed a fragmented archaeological zone into an interactive cultural itinerary, accessible to citizens, visitors, and future generations.

Artists, youth, residents, and institutions collaboratively co-designed and co-built a series of artistic interventions that “stitched” the archaeological site to the urban fabric. These interventions invited people to walk, listen, imagine, and engage, activating forgotten routes and revealing hidden narratives embedded in the city.

The itinerary combined physical installations with digital storytelling, allowing visitors to encounter Tyre not only through ruins, but through lived histories, emotions, and community knowledge. In doing so, Woujoud reframed heritage as a shared responsibility and a collective right, one rooted in participation, care, and continuity.

Check this publication about Woujoud :

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The Architecture of the Logo

‘’Redaction ■■■■■■ is an intervention into the textual surface of the present, ■■■ one which makes the contours and logics of this surface more legible. Its aesthetics of forgery and détournement, of re-appropriation and re-performance, produce a uniquely direct and ■■■■■■ effect ’’   Andy Zuliani

The Publishing Power of Place logo draws on the act of redaction as both a graphic language and a spatial metaphor. The blacked-out letters reference redaction as an intentional intervention on the page—an act that conceals while simultaneously drawing attention, shaping meaning through absence as much as presence. Rendered in a marker-like style, the logo suggests collective authorship and co-redaction, evoking community input, informality, and an ongoing process rather than a fixed, finished identity. This approach parallels the co-design of space and place, where existing conditions are intervened upon, rearranged, and reinterpreted rather than erased, allowing new possibilities to emerge over time. Like spatial practice, the logo embraces incompleteness and adaptability, positioning publishing as a living process, something continually revised, built upon, and shaped by those who engage with it. Omar Wanas